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Monday, 27 September 2021

A tale of plesiosaur tails: vertical fins or horizontal flukes?

The giant elasmosaurid Albertonectes vanderveldei forages for invertebrates and small prey deep underwater. From this posterolateral view, the vertical tail fin is unmissable - but should I have drawn it as a horizontal fluke instead? Welcome to yet another challenge for restoring the life appearance of plesiosaurs!
It’s fair to assume that, when painting or sculpting plesiosaurs, most palaeoartists favour attention to their heads, necks and flippers, these being the most characteristic parts of their anatomy and the components most of our audience will focus on. Plesiosaurs are, of course, famously tricky animals to restore with any degree of certainty, their body plans being entirely unlike anything alive today, their mechanism of swimming - underwater flight with two sets of flippers - being the source of much debate and controversy, and their fossil record giving us few direct insights into their soft-tissue anatomy. So here’s more good news: in recent years another part of plesiosaur anatomy has joined their flippers and necks in artistic and scientific contention, their tails.

Plesiosaur tails have traditionally been little more than afterthoughts in palaeoartworks: cone-shaped structures tapering from the body without much in the way of interesting features. In the last decade or so, however, research interest in plesiosaur caudal anatomy and the resurrection of certain historic observations (e.g. Dames 1895; Smith 2007, 2013; Wilhem 2010; Sennikov 2015, 2019; Otero et al. 2018) has seen plesiosaurs with more interesting tails making regular palaeoartistic appearances. This artistic shift initially showed plesiosaur tails having fish- or ichthyosaur-like vertical fins but, more recently, newer research has made a case for another configuration, horizontal tail flukes (note the terminological distinctions), and such reconstructions are now also appearing with regularity. These fins and flukes, it must be stressed, are not mere whimsy or speculation but based on osteological correlates for some kind of extensive skin structure around the tail tip, and we should clarify that no-one thinks these represent a hitherto unappreciated propulsive organ - plesiosaurs do not suddenly have five ‘engines’ for swimming. Instead, these fins or flukes surely represent devices to act as some kind of rudder or stabilising aid, perhaps helping to offset the impact of swimming around with those giant necks and heads.

Recent skeletal reconstructions of plesiosaurs (or parts thereof) showing different interpretations of caudal rudder anatomy. It is increasingly common to see these features in plesiosaur skeletals and this compilation image could be much bigger, but I've restricted it to those from papers specifically making cases for fins or flukes.

One thing is clear: the evidence for tail rudders in plesiosaurs is pretty strong in several plesiosaur clades and any credible palaeoart of these animals should show them with some kind of fin, flipper or fluke at the tail tip. But, clearly, our current conflicting interpretations of plesiosaur tail anatomy can’t both be correct. I’ve gone back and forth on these ideas in my plesiosaur art over the last couple of years and decided that it was time I looked into this in more detail. What is the evidence for tail fins or flukes in plesiosaurs, and which is most compellingly argued for? Can we even make a call on this topic at the moment? Let's find out.

One of several plesiosaur artworks I've drawn recently showing a fluked tail, rather than (as was my previous preference) a fin. This is Plesiosaurus dolichodeirus scavenging a pterosaur carcass, because plesiosaurs are meant to eat pterosaurs in palaeoart, consarnit.

Something old is new... etc. etc.

First, let's briefly familiarise ourselves with the history of this controversy. It may seem that notions about plesiosaur caudal fins and flukes are part of the Brave New World of changing up old reconstructions of fossil reptiles for radical new ones, but that’s not the case here. Actually, osteological features and soft-tissue remains evidencing caudal rudders in plesiosaurs were identified in the 19th century, and even the dichotomy of interpretation between fins vs. flukes is over 100 years old. Our modern discussions of these concepts are a revival of relatively early investigations into plesiosaur functional morphology and life appearance.

The holotype of Seeleyosaurus guilelmiimperatoris, famous for having a soft-tissue outline around its tail. This specimen was the only plesiosaur fossil on record with direct bearing on the fin vs. flipper controversy, but the tail soft-tissues have been painted over and are no longer accessible for study. Yeah, frustrating, right? From Dames (1895).

The concept of plesiosaur caudal fins was first broached by Richard Owen, who proposed that lateral compression of the terminal tail vertebrae of Archaeonectrus rostratus indicated a caudal fin (Owen 1865). Owen’s observation had little impact on reconstructions of plesiosaurs at the time, but seeming confirmation of his prediction arrived a few decades later when, in 1895, a specimen of the Jurassic plesiosaur Seeleyosaurus guilelmiimperatoris was described with a soft-tissue outline around much of tail tip (Dames 1895). To date, this specimen remains the only fossil on record that provides direct confirmation of a caudal fin or fluke but, alas, it can no longer be investigated or even validated as the soft tissue component of the fossil has been painted over (BUT - see update at the end of the post). This presents a problem deeper than merely obscuring the body outline. Many marine reptile specimens were often ‘improved’ with forged soft-tissues and realigned bones by 19th century preparators such that anything especially amazing and interesting - like the only known plesiosaur tail fin outline, for instance - really needs verification from modern researchers to be accepted as genuine. I’m not aware of any plesiosaur experts who consider the Seeleysoaurus soft-tissues especially suspicious, but this inescapable caveat hangs around any discussion of this specimen: we can only put so much stock in any interpretation of it, modern or historic. This said, scholars of the late 1800s certainly regarded the body outline as genuine, leading to a few late 19th and 20th-century palaeoartworks in which Seeleyosaurus and other plesiosaurs sported tall, diamond-shaped tail fins. Among the most famous of these were the reconstructions published in Wilhelm Dames' 1895 Die plesiosaurier der süddeutschen Liasformation and the generic pliosaurid reconstruction published by Newman and Tarlo (1967).

Neither finned nor fluked plesiosaurs really caught on in historic palaeoart, but finned reconstructions almost did. Here's a rarely seen example: Woodward's (1896) reconstruction of "Plesiosaurusmacrocephalus, from A Guide to the fossil reptiles, amphibians, and fishes in the Department of Geology and Palaeontology of the British Museum (Natural History).

Not everyone accepted Seeleyosaurus as evidence of caudal fins in plesiosaurs, however. Both Fraas (1910) and Wegner (1914) felt that their caudal skeletons were indicative of a horizontal fluke, citing the absence of a tail bend, the dorsoventral flexibility of the vertebrae, and the size of the caudal ribs as evidence of this feature. I’m not aware of any historic reconstructions showing this configuration (this is not to say that none exist, of course) and assume that fluked plesiosaurs gained even less traction in technical literature and artwork than their finned counterparts. This left most academic and artistic consideration of plesiosaur caudal anatomy assuming featureless, tapering tails for the next century, despite the continued cataloguing of peculiar caudal anatomy in plesiosaurs - most notably, their fused terminal tail vertebrae, recalling the pygostyles of birds (see review by Smith 2013). Today, such structures are considered part of the evidence package for a caudal rudder, but this significance seems to have been mostly overlooked in older publications.

Evidence for fins, evidence for flukes

The story of plesiosaur caudal rudders is thus one of three parts: an initial set of pro-rudder proposals and observations; a period of relative disinterest in the idea; and our modern era of belated engagement with those original hypotheses. This latter stage began about 10-15 years ago when observations made by Owen and Dames were resurrected and augmented by modern plesiosaur experts to make a case for plesiosaur tail fins. Perhaps the most in-depth investigations supporting finned tails to date are those by Benjamin C. Wilhelm (2010) and Adam Stuart Smith (2007, 2013), both of whom looked at the tails of Jurassic plesiosaurs and identified features also seen in swimming animals with vertical caudal fins. Using the relatively completely known tails of the cryptoclidids Cryptoclidus and Muraenosaurus, Wilhelm (2010) catalogued a suite of anatomies correlating with vertical fin lobes, including a relatively large neural spine close to the tail tip (the 17th caudal vertebra in Cryptoclidus); several neural spines with expanded ends; a shift in the orientation of the neural spines at the tip of the tail (from posteriorly-directed to anteriorly-directed) and lateral compression of the terminal caudal vertebrae (see diagram, above). These features recall the finned tails of mosasaurs, Triassic ichthyosaurs and thalattosuchians (e.g. Lindgren et al. 2013; Renesto et al. 2020), where enlarged neural spines mark the start of a caudal fin and shifting neural spine orientations characterise the vertebrae embedded in the fin itself. As with tail-finned reptiles and fish, plesiosaur tails had increased flexion in two regions, both at the tail base and immediately anterior to the enlarged and reorientated neural spines. A slight vertical peduncle - a thinning of the tail structure to minimise its drag profile when being moved through water - was also identified anterior to the enlarged neural spine region. By analogy with the preserved soft-tissues of other marine reptiles, Wilhelm’s study allowed for a prediction of the possible fin outline for cryptoclidids: a small triangular lobe with a concave posterior margin on the upper side of the tail (above). This is quite different from the diamond-shape interpreted by Dames and others from the Seeleyosaurus fossil, but Wilhem’s thesis argues that a large ventral lobe is not suggested by that fossil and we can infer - if Wilhelm’s reconstruction is correct - that only a small amount of material is missing from the dorsal margin (see diagram, below).

Advocates for plesiosaur tail fins highlight similarities between their tail anatomy (see illustrations, above) and those of certain finned marine reptiles, such as early ichthyosaurs and mosasaurs. There are indeed obvious similarities, although the plesiosaur fin supports are clearly far less developed than the examples shown here - a reflection, almost certainly, of tails being adapted for locomotion vs. those adapted for ruddering. Images from Renesto et al. (2020) and Lindgren et al. (2013).

Although working with more fragmentary material, Smith (2007, 2013) found similar features to those reported in Benjamin Wilhelm’s thesis, as well as further evidence of finned tails. This included lateral compression at the tail tip of Rhomaeleosaurus, as well as peculiar ‘node’ vertebrae that might indicate a zone of flexion or even a slight downturn of the tail tip - another feature of finned tails. A wedge-shaped vertebra was noted in another rhomaleosaurid, Macroplata, which might indicate a slight tail downturn, although this taxon curiously lacks laterally compressed distal vertebrae. Agreeing with Benjamin Wilhelm’s thesis, as well as Wilhelm and O’Keefe’s (2010) examination of further caudal material, Adam's study concluded that the flexibility evidenced in the proximal tail region would allow the caudal fin of plesiosaurs to augment steering and stability.

A few years after these works reignited interest in plesiosaur caudal rudders, artistic and academic champions of fluked plesiosaurs also resurrected, retooled and expanded the initial observations and arguments made by Fraas and Wegner (e.g. Sennikov 2015, 2019; Otero et al. 2018). At the core of these proposals were ideas that plesiosaur tails were more convergent with those of whales and manatees than with swimming reptiles or fish, and thus suited to dorsoventral motion and sporting horizontally-aligned soft-tissues at their tips. Some researchers have endorsed this idea by including fluked reconstructions in their papers (e.g. Sachs et al. 2016). 

Were plesiosaur tails reptilian variants of sirenian-like caudal anatomy? Again, there are similarities, especially in the great width of the vertebrae. In lieu of decent sirenian skeletons online, I've borrowed these Florida manatee (Trichechus manatus) skeleton replica images from Bone Clones.

Some of the evidence for plesiosaur flukes is the same as that used for finned reconstructions, such as the two zones of flexion in the plesiosaur caudal skeleton, and the recognition of a distinctive, often stiffened vertebral region at the end of the tail (Sennikov 2015, 2019). This is representative of fluked and finned tails having functional similarity, each essentially being the same thing operating in different planes. Fluke-specific evidence includes the presence of long caudal ribs along much of the tail length which, in making some vertebrae wider than tall, are suggested to create a relatively wide, flat tail with restricted lateral movement (Sennikov 2015, 2019; Otero et al. 2018). Otero et al. (2018) noted that the tips of the caudal ribs of Aristonectes are fibrous for potential attachment of extensive soft-tissue, potentially implying a much wider tail than shown by osteology alone (something seemingly confirmed by soft-tissue data of Mauriciosaurus). The absence of convincing downturned tail tips has also been flagged up, even for taxa with ‘node’ vertebrae (Otero et al. 2018), and has been negatively compared against the finned condition of ichthyosaurs and marine crocodylomorphs (Sennikov 2019). The small size or absence of chevrons, and the low, variable orientation of caudal neural spines, are features thought to have allowed the fluke to move vertically and independently of the rest of the tail (Otero et al. 2018; Sennikov 2019). The plesiosaur torso - a pachyostotic, relatively inflexible trunk - has also been regarded as similar to that of sirenians and thus potentially indicative of a fluked tail (Sennikov 2019). For the fluke model to be correct, of course, the traditional interpretation of Seeleyosaurus having some kind of tail fin has to be wrong. Sennikov (2019) states that this is indeed the case, and provides an alternative view where the Seeleyosaurus soft-tissues represent a horizontally-aligned structure within which the vertebrae have fallen over. The asymmetry of the fluke as preserved is explained as a result of vertebral displacement, soft-tissue decay and incomplete fossilisation.

Problematic as it is, proposals of plesiosaur rudder shape have to contend with the now-lost Seeleyosaurus data to some extent. Some fin models posit that not much has happened to the caudal region of the Seeleyosaurus holotype, whereas the fluke model requires a little more modification. While the fin model seems simplest, the fluke version hardly seems implausible.

Fins vs. flukes, head to head (er... tail to tail?)

Having briefly reviewed this evidence, can we see which of these models seems strongest? I stress my word choice in that sentence: our understanding of plesiosaur soft-tissues is not yet sufficient to make claims of absolute certainty, so any conversation on them should be peppered with appropriate caveats and considerations. This is a case where it’s much easier to be a researching scientist, where “we don’t yet know” is a perfectly acceptable response, than a palaeoartist, where you have to come down on one side of a debate or another. So, with the proviso that I’m not sure we can really make a definitive call yet… and with some urging of readers to check the papers mentioned above for themselves to make up their own minds... and with appropriate caution… and having now run out of ways to stall writing this sentence... I find myself... more persuaded by arguments for a tail fin at present. The fin hypothesis seems to explain more of the peculiar anatomy of plesiosaur tail tips than its rival, and it presents an overall simpler, and thus more likely correct, interpretation of our available data. The highlighted similarities between plesiosaur tails and those of certain other fin-tailed swimming reptiles are prudent observations not yet accounted for in the fluke model and, when thinking about the evolution of such features, it seems a shorter developmental distance for a plesiosaur to evolve a fin than a fluke. I’m especially thinking of the switch from primarily lateral to vertical spinal flexion, the former being ancestral to reptiles and thus common to many in swimming reptile species. Significant vertical caudal flexion has developed among diapsids of course, in birds, and some swimming birds even use their tail fans in a rudder-like fashion (Felice and O’Connor 2014), so we shouldn’t rule out this capability for plesiosaurs entirely. Moreover, this is not to say that the observations from Team Fluke are redundant. Maybe the wide, potentially muscular tails of plesiosaurs were indeed capable of an unusual amount of vertical motion, even with a fin? If, indeed, plesiosaur tails operated as ruddering aids, some surely had a big job on their hands: there’s no way moving those giant necks and heads didn’t have a tremendous rotational impact when swimming and their tails may have had an important role in keeping their owners on course. A weedy tail with limited mobility in either plane might not have been up to that task. It would be neat to see simulations of this sort of thing.

I also agree with Wilhelm’s (2010) assessment of the Seeleyosaurus tail outline, which looks - so far as can be seen in Dames’ (1895) illustrations, more like a vertical structure than a horizontal one. I’m not sure how much stock we should place in interpretations of the drawings of this specimen given that the original soft tissues are now inaccessible, but, for what it’s worth, the relatively neat margins and asymmetry of the tissue outline, the general position of the vertebrae and location of possible ‘fin’ tissues above the tallest neural spines look consistent with a small dorsal lobe (sensu Wilhelm 2010), while a fluked interpretation relies on a fair amount of distortion from decay and disarticulation. But there is certainly plenty of ambiguity around that specimen and I could be convinced otherwise. Needless to say, more plesiosaur specimens with soft-tissues preserved around the tail tip would be incredibly useful in this discussion.

Plesiosauria was a diverse group with a huge array of body proportions, sizes and lifestyles. Did the gigantic pliosaur Kronosaurus queenslandicus share the same caudal rudder shape and size as Cryptoclidus? We need more research to say either way.

Of course, this tentative endorsement of vertical fins comes with many caveats. Despite the antiquity of proposals that plesiosaurs bore a soft-tissue rudder on their tails, these discussions are still in their infancy. Very few studies have directly addressed this topic and our analyses have, thus far, been largely limited to qualitative descriptions and comparisons with other vertebrates. Our taxon sampling is also relatively limited and has not yet incorporated the most extreme examples of plesiosaur size or body plans. I can’t be the only one wondering what the extremely long-necked elasmosaurids and giant pliosaurids were doing with their tails and, given the innumerable studies linking tail shape to ecology in swimming animals, it’s not crazy to assume plesiosaurs of different lifestyles might have had differently shaped rudders. We may even already be finding evidence of such variation, it being observed (for example) that elasmosaurids may not have had the mobile terminal tail region identified in some cryptoclidids (Otero et al. 2018). Moreover, might plesiosaurs have done something unusual with their tails, such that the fin vs. fluke dichotomy is an oversimplification of a more complex organ befitting their unique swimming style? Could other structures - keels or projecting stabilisers - have augmented a larger fin? It will be interesting to see what further research reveals and, in particular, what quantified comparisons between the caudals of plesiosaurs and those of fluked and flippered animals have to tell us. Many of the features discussed above are relatively subtle - a taller neural spine here, a slight wedging of the centrum there. Careful, quantified comparisons of a suite of features with modern and extinct analogues may help us distinguish whether fins or flukes are the better tail rudder model, or if such analogues are useful guides at all.

And that, with one foot off the fence on this matter, but still not feeling like a conclusion has really been reached, is where we'll leave off for now. Hopefully, more definitive evidence for plesiosaur tail morphology will appear soon but, until then, the best thing artists can do is not take the comments above as gospel: check out the papers discussed here (most are open access or otherwise available online) to make up your own mind which is the better-supported model. I suspect I'm still going to remain uncertain about my plesiosaur tails for some time, but there's comfort knowing that this isn't really something we can be especially confident about until more data is gathered.

UPDATE: 28/09/2021 (the day after posting). In what is clearly good news, it turns out that the paint covering the Seeleyosaurus holotype soft-tissues has been removed and that the specimen is, at time of writing, under study by plesiosaur expert Sven Sachs. You can see a photo of the restored specimen at Sven's website, here. The paint was actually removed some years ago but this has not, to my knowledge, been mentioned in more recent papers discussing this specimen, hence the error in reporting here. Thanks to Sven and others who have pointed this out.

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References

  • Dames, W. (1895). Die plesiosaurier der Süddeutschen Liasformation. Abhandlungen der
  • Königlich Preussischen Akademie der Wissenschaften zu Berlin 1895, 1–81.
  • Felice, R. N., & O’connor, P. M. (2014). Ecology and caudal skeletal morphology in birds: the convergent evolution of pygostyle shape in underwater foraging taxa. PLoS One, 9(2), e89737.
  • Fraas, E. (1910). Plesiosaurier aus dem oberen Lias von Holzmaden, Palaeontographica, 57, 3–4, 105–140.
  • Lindgren, J., Kaddumi, H. F., & Polcyn, M. J. (2013). Soft tissue preservation in a fossil marine lizard with a bilobed tail fin. Nature Communications, 4(1), 1-8.
  • Newman, B. & Tarlo, B. (1967). A giant marine reptile from Bedfordshire. Animals, 10, 61-63
  • Otero, R. A., Soto-Acuña, S., & O'keefe, F. R. (2018). Osteology of Aristonectes quiriquinensis (Elasmosauridae, Aristonectinae) from the upper Maastrichtian of central Chile. Journal of Vertebrate Paleontology, 38(1), e1408638.
  • Owen, R. (1865). A monograph on the fossil Reptilia of the Liassic Formations. Part 3. Sauropterygia. Monograph of the Palaeontographical Society, 17, 1–40, pl. 1–16.
  • Renesto, S., Dal Sasso, C., Fogliazza, F., & Ragni, C. (2020). New findings reveal that the Middle Triassic ichthyosaur Mixosaurus cornalianus is the oldest amniote with a dorsal fin. Acta Palaeontologica Polonica, 65(3), 511-522.
  • Sachs, S., Hornung, J. J., & Kear, B. P. (2016). Reappraisal of Europe’s most complete Early Cretaceous plesiosaurian: Brancasaurus brancai Wegner, 1914 from the “Wealden facies” of Germany. PeerJ, 4, e2813.
  • Sennikov, A. G. (2015). New data on the herpetofauna of the Early Triassic Donskaya Luka locality, Volgograd Region. Paleontological Journal, 49(11), 1161-1173.
  • Sennikov, A. G. (2019). Peculiarities of the Structure and Locomotor Function of the Tail in Sauropterygia. Biology Bulletin, 46(7), 751-762.
  • Smith, A. S. 2007. Anatomy and systematics of the Rhomaleosauridae (Sauropterygia: Plesiosauria). Unpublished PhD thesis, School of Biology and Environmental Science, National University of Ireland, University College Dublin.
  • Smith, A. S. (2013). Morphology of the caudal vertebrae in Rhomaleosaurus zetlandicus and a review of the evidence for a tail fin in Plesiosauria. Paludicola, 9(3), 144-158.
  • Wegner, T. (1914). Brancasaurus brancai Wegner, ein elasmosauride aus dem Wealden Westfalens. Borntraeger.
  • Wilhelm, B. C. (2010). Novel anatomy of cryptoclidid plesiosaurs with comments on axial locomotion (Doctoral dissertation, Marshall University Libraries).
  • Wilhelm, B. C., & O'keefe, F. R. (2010). A new partial skeleton of a cryptocleidoid plesiosaur from the Upper Jurassic Sundance Formation of Wyoming. Journal of Vertebrate Paleontology, 30(6), 1736-1742.

Tuesday, 27 April 2021

Film review: Ammonite (2021)

After a long wait and much online discussion, the Mary Anning-inspired historic drama Ammonite is finally on general release. As goes the popularisation of palaeontology, Ammonite is something of a big deal: it’s the first film treatment of the iconic 19th-century fossil collector Mary Anning, a rare major feature to focus on genuine 19th-century palaeontology, and - in what might be another first - is a palaeontology-inspired film aimed squarely at adults. It has also, however, been controversial since its announcement for not focusing on traditional aspects of the Mary Anning story, such as her significance to the discovery of Mesozoic marine reptiles, her relationship with palaeontologists of the early 1800s and her tragically short, poverty-stricken existence. Instead, the film invents a narrative about an imagined romance between Anning and another historic figure, the geologist Charlotte Murchison. The appropriateness of this angle and what it means for Anning’s legacy has been the subject of much social media discussion, although the actual release of the film on premium streaming services has not, to my knowledge, generated the same level of debate. Curious to see if all our hopes, fears and general anticipation were worth our time, I recently checked out Ammonite and have come away with a mixed reaction. Is it a good film? I thought so. Is it a good ‘Mary Anning film’? I thought not. Are these answers mutually exclusive? It depends what you want from your Anning cinematic experience.

Let’s talk about the positives first. There is a lot I liked about Ammonite. It’s well-acted, well-directed, and delivers an outwardly strong reflection on sexism and classism in a strongly patriarchal Victorian society. The film is not subtle in its messaging: the opening shots show a maid scrubbing a museum floor being rudely pushed aside by bustling, suited men rushing an Anning-discovered Temnodontosaurus to its cabinet. It does, however, do a commendable job of showing, without preaching about, the contrast between rich and poor and the gulf in privilege that existed, and still exists, between men and women. Anning’s simple clothes, her empty, tired home and shop, as well as the sometimes bleak Lyme Regis coastline contrast well against the wealth, comfort and extravagance of richer characters and establishments. It provides a warts-and-all look at life on the poverty line in the 1840s where Anning and her elderly, poorly mother eat thin vegetable stews, illuminate their home with solitary candles, and several shots show their rough, tattered hands resulting from a lifetime of hard graft. Actors are not prettied up to look miraculously glamorous despite their lifestyle: there's an honest rawness to their appearance and costumes.

The tone of Ammonite is reflected with a sparse musical score and suitably bleak, although not lifeless, colour palette. Anning’s house is the core location of the film, but grubby British mudstone cliffs are its second home. I admit to finding these fossiliferous landscapes a refreshing sight for the setting of a palaeontological drama instead of, as is so often the case in palaeo media, vast deserts or badlands. The ever-present roaring waves and changeable weather of the southern UK coastline are excellently captured, and the cinematography manages to balance the grey colours of the Dorset coast and Anning’s home with stronger hues, especially the blues of Anning’s clothing, and the sea and sky. The film has a washed-out, slightly tired look that doesn’t feel forced, and perfectly suits the rest of the subject matter.

The first act features what most will expect of a Mary Anning picture, showing her looking for fossils in poor weather and clambering up slippery cliffs to excavate nodules containing ammonites. We are not explicitly told when the film is set, but the film’s version of Anning, played by Kate Winslet, imagines her in her later years - so presumably in the early 1840s. Portrayed as an embittered, middle-aged and experienced fossil collector with little time or interest in social graces, she also has a physical presence and resourceful quality entirely atypical for a 19th century female character. It's hard not to see some of this as making Anning the match for any man you'd care to put in her position. She's a woman of few words, wears trousers under her dresses, pees wherever she likes in the field (and then wipes her hands on her clothes), smokes hand-rolled cigarettes and deploys several harsh swears. Although outwardly a cold, embittered character with little patience for others, she is not unlikeable, and Winslet’s portrayal is genuinely excellent, her face showing an unspoken history of sadness, loneliness and world-weariness that needn’t be explained through dialogue. Her performance and frame have a stiffness that is at once both imposing and awkward, and much of what Anning thinks and feels is conveyed through forced stillness and suppressed reaction. It's a terrific performance that has unsurprisingly drawn much praise from critics.

As you’re no doubt inferring, Ammonite is not a breezy, lighthearted film. Nor, in contrast to virtually all other palaeo-inspired motion pictures I can think of, is it a family film. Ammonite has a ‘15’ rating in the UK (equivalent to an ‘R’ in the US), and for good reason: there’s male and female nudity, graphic sex and several strong swears. This is not the film to show your kids the Mary Anning story: it’s a slow, character-driven drama aimed at mature audiences. Although seemingly ruling out large chunks of its potential audience, for science communicators, this is a Good Thing. The last century of palaeo-related cinema can be largely boiled down to people running from animated dinosaurs, and Ammonite is going to draw attention from audiences who have no interest in this sort of thing. There is no shortage of child-friendly Mary Anning media out there, so it's great to have something that will draw the attention of older audiences.

But it’s also on the science communication front that Ammonite is going to prove most divisive. My take on films, TV shows and so on is that we have to rate them based on what the creators set out to do, not what we wanted them to do, and in this sense Ammonite might be free of criticism over its loose take on history. But I think it’s fair to ask whether Ammonite really needed to hang its narrative around Mary Anning at all, such are the liberties it takes with the subject matter. I have two main thoughts on this.

First, for a story about one of the most famous fossil hunters in history, Ammonite is strangely empty of what we might call palaeontological character. I understand that Ammonite is not a Marvel film or Star Trek episode where fans are deliberately fed blink-and-you-miss-them references, callbacks and easter-eggs, but the early 1800s yielded so many iconic specimens, books and palaeoartworks that I was surprised the film was so stripped back of palaeo-based content. Anning’s shop and home are virtually empty of specimens, which runs contrary to just about every fossil collector home, shop and lab I've ever been to. Invariably, such locations are full of stuff related to extracting and understanding extinct life: field gear, books, fossils, notes, rocks, unprepared specimens and other curios. I think the emptiness of her home is meant to stress her poverty, but the effect was that she looked more like she was a hobbyist fossil collector rather than the grandmother of palaeontology.

This bareness has another effect: it denies the sense that Anning made any multiple significant discoveries. We see Anning collect and prepare an ichthyosaur skull at one point but, other than this, a bookending cameo by the famous Temnodontosaurus fossil Anning found with her brother (the first ichthyosaur studied by scientists) and a quick shot of Anning sketching the Plesiosaurus dolichodeirus holotype from memory, there’s really nothing to represent her remarkable contribution to marine reptile palaeontology. It’s these discoveries that Anning is primarily remembered for and their absence will be noticed by anyone familiar with her history. Indeed, I’m not sure anyone watching Ammonite without prior knowledge of Anning would really think she was anyone especially important. By the end of the first act, Ammonite is basically done with palaeontology, and the rest of the narrative could easily be about any other downtrodden 19th century female professional you care to name or invent.

Second, yes, it’s time to address that topic: the decision to make Anning a character in a fictionalised romance rather than tell a component of her real history. Ammonite is only a Mary Anning film in the loosest sense: it has the right character names, the right location and the basic Anning backstory, but that's about it. Along with speculating about Anning’s sexuality (we have no data at all on Anning’s romantic interests), her character is also changed. We don’t know much about Anning’s personality, but historic notes - such as those cited in Deborah Cadbury’s 2000 book The Dinosaur Hunters - imply a very different character to that invented for the film. Quotes about later-life Anning describe a patient, kindly woman grateful for shop patrons, for example, which is a world apart from the icy, blunt Anning of Ammonite. The biggest historic casualty of the film, however, is not Anning, but her love interest, Charlotte Murchison. In real life, Murchison was a well-travelled, experienced geologist of great professional inspiration and importance to her geologist husband - the eventual Director-General of the British Geological Survey, Roderick Murchison. She was also a trailblazer for women’s rights in science, protesting against Charles Lyell for the right for women to attend scientific lectures. Ammonite’s Charlotte Murchison, in contrast, is a character defined only by her relationships with other people: a lonely wife grieving over the loss of her child, left with Anning in the hope that she may take up geology as a hobby. It’s certainly true that Ammonite is about an intelligent, important woman being brushed under the carpet of society, but there’s a meta quality to this that wasn’t expected.

It’s in this area that I find myself most conflicted about Ammonite. On the one hand, Ammonite’s narrative and the real stories of Anning and Murchison draw similar conclusions about sexism and classism, so the deviations from history might not matter too much: the imagined and real history meet, more or less, to impart the same message. On the other, the real Anning story is not only unique (and thus more interesting than any imagined drama) but also much more powerful. Women like Anning and Murchison literally changed the course of history and their lives couldn’t be more relevant to modern concerns: feminism, societal inequality, the power of rich white men, and the issue of privilege are all inescapable truths of their biographies. Ammonite replaces some of these with an equally important cause - LGBTQ representation - but - to our knowledge - this was never Anning’s fight, and it’s strange that she’s now been pushed as a figurehead in this movement too. As Riley Black mused in her excellent piece on Ammonite last year, we are at risk of asking Anning to carry too much, and thus diluting her real importance and legacy. The irony of Ammonite, a film that seemingly celebrates Anning, sidelining her scientific and intellectual achievements so it can impress its own narrative and significance onto her life is not lost on me. It’s not quite the same as writing her out of history like so many Victorian gentlemen scientists, but it’s certainly another example of people using her reputation for their own ends.

And that’s where Ammonite leaves me: a commendable historic drama with some great attention to characterisation and some great performances, levelled against disappointingly little interest in the richness of its source material and a confused, perhaps even self-defeating relationship with its principal characters. For all this, I still think Ammonite is, on balance, a Good Thing. While not delivering the sweeping Anning biopic many palaeontologists and historians might want to see, it still promotes - however contrarily in light of historic facts - the importance of women in science, gives a general idea of who Mary Anning was, and may spark some important thoughts and conversations among more interested audience members. And, lest we forget, behind all the talk about representation and legacies is a good film that can be watched and enjoyed, and it's OK to switch our brains off from time to time. Ultimately, whether you should check out Ammonite will depend on what you want from this picture. If you can get past the fact that Ammonite is little more than watered-down palaeontological fanfiction (perhaps the most niche genre in cinema), you may enjoy it. If you're unable to leave your scientific and historical brain at the door, this might not be for you. Whichever of these opposing views you land on, I agree with you.

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Friday, 26 March 2021

Dinosaur fossils and Chinese dragons: ancient association or modern wishful thinking?

Dinosaurs and dragons: is there a better fit between fossils and folklore? Common wisdom is that Chinese dinosaur species, perhaps including Yutyrannus huali, became associated with local dragon lore when ancient people used their bones for medicinal purposes, but how well-evidenced is this popular idea?

Geomythology is a discipline that most of us are familiar with even if we've not heard of this term: the study of possible associations between real geological phenomena and myths and legends. The idea that certain fossils were somehow involved in the creation or development of mythical creatures is a subject we've discussed several times at this blog, including the purported fossil associations of griffins, cyclopes, giants and unicorns. Although proverbial kernels of truth underlie some of these proposals, many examples - including famous claims about Protoceratops and griffins, and elephant skulls and cyclopes, are actually nowhere near as well-supported as their popularity implies. A lot of geomythological hypotheses persist primarily because of uncritical retellings and a lack of sceptical examination.

Today, we're going to take aim at another claimed geomythological association: the proposal that fossils of Mesozoic dinosaurs were mistaken for dragon bones in ancient and historic China. This idea only has a slim footing in academic literature but is very popular, being brought up just about whenever the early history of dinosaur discoveries is raised and being bolstered by mentions in reputable outlets like Smithsonian Magazine and BBC Earth. A common issue with arguments in favour of this hypothesis, whether written in a technical paper or posted to Youtube, is vagueness: beyond pointing out the antiquity of fossil discoveries in China and the ancient origin of dragon myths, little more is said. But we don't need to be vague: we actually have extensive documentation of historic 'dragon bones' in the form of numerous historical texts, illustrations, and records of interaction between 19th and 20th-century scientists with the dragon bone industry. Collectively, these create excellent insights into what 'dragon bones' really were and what fossil animals they belonged to. So how does the dinosaur-dragon association stand up against this evidence?

Cropped dragon from the 17th-century painting Miracle of the Dragon. Chinese dragon lore shares many features with dragon myths in other Asian cultures, so they likely have a principally folkloric, not palaeontological, origin. You can see the entire and spectacular Miracle of the Dragon painting at the Cleveland Museum of Art website.

Dragon mythology has existed in China since at least the Shang Dynasty (1520 - 1030 BCE) - in other words, for as long as we've had decent records. It likely originated among the myths of other cultures rather than being a novel creation based on fossils: Hogarth (1979) suggests that the older Buddist naga dragon myth has so many cultural similarities with Chinese dragon lore that the two stories must be linked. This said, ancient texts also show that Chinese scholars knew of fossil bones thousands of years ago, and it's primarily these documents that are used to make the case for the dinosaur-dragon association (e.g. Needham 1959; Dong 1988; Sarjeant 1999; Spalding and Sarjeant 2012; Rieppel 2019). Dong (1988) and Rieppel (2019), for example, suggest that scholar Qu Chang may have been discussing dinosaur fossil beds in what is now Sichuan Province in c.350 CE. Rieppel (2019, p. 236) provides a direct translation:

"In Wucheng Countym there is a mountain called Somber Warrier Mountain, also called Three Corner Mountain, that has six bends and six rises. Dragon bones are taken from it. It is said that dragons flew up from these mountains, but when they found heaven's gates closed, they could not enter, and thus fell dead in that place, and later sank into the earth. That is why one can dig out dragon bones."

Dong (1988) further notes that Jurassic strata in this area may be the real-life source of Chang's 'dragon bones', which seems a reasonable prima facie argument.

Another ancient account, cited in some popular articles, recalls the recovery of a 'dragon bone' during the construction of a canal in 120 BCE. This discovery was so significant that the waterway was named "Dragons Head Canal" after its discovery (McCormick and Parascandola 1981). Several other records of such antiquity are known and make a fine case for ancient Chinese cultures interacting with fossils, but they each have the same problem: none are detailed enough to demonstrate that they pertain specifically to dinosaur fossils (Delair and Sargeant 1975; Buffetaut 1987; Sarjeant 1999). Dinosaurs don't just occur anywhere and everywhere fossils are found, so without descriptions or illustrations of the bones, or specific geographic information we can use to track down these ancient sites, we can only guess what these first mentioned 'dragon bones' were. Qu Chang's discussion of the Sichuan Province is interesting because - as noted by Dong - this is a rich ground of dinosaur fossils, but the same province also bears plenty of non-dinosaur fossil sites, including fossil-rich Pleistocene gravels (Delair and Sarjeant 2002) and sinkhole deposits (Buffetaut 1987). Without more data, we simply cannot say what fossils these ancient documents pertain to, and the involvement of dinosaurs is equivocal.

An honest-to-goodness collection of 'dragon bone' teeth obtained from drugstores during the late 19th century, as figured by McCormick and Parascandola (1981). No doubt some readers are already identifying some of these elements: many are quite obvious to anyone generally familiar with vertebrate anatomy.

And that, really, is that. If you're hoping that our tale now turns to more concrete evidence of the Chinese dragon-dinosaur link, you're out of luck: these loose, arm-wavy arguments are the best we have to offer. The crux of our problem is that 'dragon bone' in ancient China was a catch-all term for a variety of fossil types that were initially only categorised as being bone, tooth or horn. By the 5th century, colour and texture were also factored to determine dragon gender and bone quality (McCormick and Parascandola 1981), but something resembling modern taxonomy was never applied. Economic value and pharmaceutical use were the main interest in 'dragon bones' so it was along these lines that they were categorised: details of anatomy and morphology were basically unimportant. We know this thanks to medical documents dating back as far as the third century BCE. Dragon remedies were considered powerful agents that could treat dysentery-like symptoms, heart, liver and kidney conditions, forgetfulness, anxiety, epilepsy and even disembowelment (McCormick and Parascandola 1981; Buffetaut 1987). You may have eaten dragon bone raw, boiled it, fried it, cooked it in rice wine, or else crushed it into powder to combine it with other ingredients. Ground bone sprinkled into tea eventually became the most common way of taking your dragon medicine (Hargarth 1979).

Alongside the medicinal use of dragon remains, the nature of the dragons themselves were also routinely discussed by Chinese physicians: principally, whether the dragons these bones were harvested from were alive or dead (some argued that dragons shed their bones like a snake sheds its skin). Little interest was shown in the geographic and geological origins of the fossils themselves, with some exceptions, such as a medical text from 456-536 CE that outlined dragon bones being extracted from caves along rivers (McCormick and Parascandola 1981). Although still vague, this helps us in our investigation to some extent by implying that some dragon bones were not especially old. Fossils collected from caves tend to be thousands of years old, not millions, so Mesozoic dinosaurs were unlikely to be among the fossils referenced in this text.

Dragon bones were just one of several fossil commodities available in historic China. As early as the 12th-century Chinese scholars had correctly identified that animal remains were capable of becoming petrified (Wen-chung 1956) and specimens of fossil shellfish and fish were commercially available for decorative and pharmaceutical purposes (Needham 1959; Edwards 1967). Fossil fish were so sought after that a market in forged specimens was established (Buffetaut 1987) and dragon bones were also in extremely high demand. This might be one reason why their source localities were not widely recorded - suppliers may have been cagey about their suppliers to protect their commercial interests. Contrary, perhaps, to Western expectations, dragon bones were big business for the Chinese pharmaceutical industry and were given premium prices (Hargarth 1978; Duffin 2017). They were sold in huge quantities from drugstores around the country and even exported en masse to neighbouring regions. Buffetaut (1987) mentions an 1885 manifest detailing some 20 tonnes of dragon bones passing through a Chinese port in a single year, and even in the 1980s several tonnes of 'dragon bones' were being exported internationally. At one time Chinese dragon bones were available in Chinese communities across Japan, Tibet, the East Indies, the Philippines, and the USA (Koenigswald 1952; McCormick and Parascandola 1981). And yes, you can still walk into some Chinese pharmacies and buy dragon bone today.

These qualities also have bearing on our investigation of dragon bone origins. Their widespread availability and mass-exportation tell us that they were not difficult fossils to find, extract or transport. Rather, they must have been superabundant, robust fossils that could be easily dug and cleaned using the basic technology of historic rural China (Wang et al. 2020). If so, this conclusion also doesn't help the dragon-dinosaur hypothesis. Mesozoic dinosaur bones can be abundant but, on account of their age and the lithification of the sediments they occur in, they are often challenging to excavate and can be very fragile. Most of us will be familiar with the careful excavation, jacketing and preparation processes that accompany modern dinosaur discoveries - it's unlikely this sort of time-consuming care was practised thousands or hundreds of years ago in the Chinese countryside.

1505 illustration of 'dragon bones' from the Bencao pinhui jingyao, more recently featured by Duffin (2013). This illustration is significant for showing us what constituted a 'dragon bone' some 500 years ago, several centuries before scientists saw and began documenting these remains.

It's through China's traditional medicine industry that 19th-century European scholars first documented China's vertebrate fossils. It was this process that transferred dragon bone mythology into scientific reality. Europeans visiting China bought and sent 'dragon bone' specimens to their home institutions at a grand scale, cumulating in thousands of bones and teeth being sent to Western museums (Buffetaut 1987). This material was exciting to 19th-century scientists and attracted the attention of premiere scholars, including Richard Owen, who provided the first scientific description of Chinese vertebrate fossils in 1858 (see Owen 1870) and returned to this topic several times in his career. What Owen and others discovered was that Chinese 'dragon bones' was a catch-all term for fossil debris: shells, small bones, bone fragments, teeth and horns. Some bones had evidently been more complete when found but were broken to be sold, especially if it meant relatively valuable teeth could be freed from the less desirable jawbones (Koenigswald 1952). Some bones retained traces of their source sediment but exact locality data were unrecorded.

Despite the lack of provenance and quality of the fossils, European and (later) American palaeontologists were able to identify numerous species among the dragon bone collections. The Devonian brachiopod Spirifer verneuili was among the most common elements sent to European collections - a fossil also thought to have curative properties in traditional Chinese medicine - but vertebrate material was also present in abundance: specifically, Neogene and Pleistocene mammals. By far the most common vertebrate elements were the teeth of the Miocene-Pleistocene equine Hipparion, of which thousands of examples were sent to Europe alone (Koenigswald 1952; Buffetaut et al. 1987). Many other species were present too: some 60 mammal species were identified in one large sample analysed in Munich (Koenigswald 1952). Over time, 'dragon bones' from across China were found to include fossil horses, giraffes, elephants, rhinos, tapirs, hyenas, deer (their antlers being 'dragon horns'), bears and hominids (Koenigswald 1952; McCormick and Parascandola 1981; Buffetaut 1987; Duffin 2008, 2013; Wang et al. 2020). Among the most exciting finds to come from the drugstore dragon bones were hominid remains, which helped catalyse interest in Asia as a source of human ancestry. The discovery of Peking Man can be directly related to 'dragon bones' and the first known fossils of everyone's favourite enigmatic giant fossil ape, Gigantopithecus, were purchased over a drugstore counter (Koenigswald 1952; Wen-chung 1956; McCormick and Parascandola 1981). That mammal bones were being sold as dragon remains for hundreds of years before European scientists became interested is documented by early 16th-century illustrations of 'dragon bones' which are unmistakably mammal teeth and deer antlers (above, Duffin 2013).

The anatomical reality of Hipparion, a mid-sized, three-toed Miocene-Pleistocene horse, might seem millions of miles away from that of a Chinese dragon, but the teeth of this genus constituted the overwhelming majority of 'dragon teeth' reviewed by 19th and 20th-century scientists. Strange as it seems, the fossils of this horse have far greater relevance to Chinese dragon mythology than any Mesozoic dinosaur.
Excited by the flow of fossils from China but frustrated by their quality and lack of geological context, Western explorers and palaeontologists eventually gained access to dragon bone sites through the same networks that supplied Chinese drugstores (Koenigswald 1952; Buffetaut 1987; Wang et al. 2020). Among these were riverside caves in Yunnan Province and sinkholes in Sichuan Province, both of which were richly stocked with Pleistocene mammal fossils. Given that both riverside caves and Sichuan Province were mentioned by early accounts of fossil discovery in China, accessing these sites goes some way to closing the loop in our dragon bone story, although whether they are the exact same sites referenced in these ancient writings will forever be unknown.

One of the most detailed accounts of a dragon bone locality was provided by Walter Granger in his visit to a series of Pleistocene sinkholes in Sichuan Province during the 1920s. These contained abundant, well-preserved Pleistocene mammals that were excavated by local farmers lowering themselves into pits and digging fossils from soft mud. Once hauled to the surface, the fossils were cleaned with water before being stacked in rough piles to dry (Buffetaut 1987). Granger specifically noted that the fossils were treated roughly, there being no need to worry about their condition given their pharmaceutical destiny (Koenigswald 1952). Granger's description of recent-ish fossils being extracted from loose sediments is exactly the sort of low-tech set-up we'd expect to be supplying the dragon bone industry, and similar sites were reported by other explorers and geologists. Surprisingly, there are still dragon bone sites waiting to be found: some fossils brought back from China in the 19th and 20th centuries have yet to be matched to their source rocks. This is an active area of research as many of those exported bones are now type specimens that should, ideally, have established provenance (Wang et al. 2020) - a cautionary tale par excellence for the importance of labelling your specimens!

But wait wait wait: this is an essay about dinosaurs and dragons, and I'm waxing on about mammals. It's here, facing centuries of excellent documentation about the reality of 'dragon bones', that the lack of a substantiated link between dinosaurs and Chinese dragons is especially obvious. To my knowledge, no dinosaur bones were identified among the dragon bone samples sent to Europe and North America during the 19th and early 20th centuries, no illustrations of obviously dinosaurian fossils are known among historic works, and no dinosaur localities were discovered through drugstore dragon bone networks. Instead, China's dinosaur sites were made known to science through traditional geological prospecting and amateur discoveries in the early 20th century (Buffetaut 1987) - no dragons required. In contrast, we know for a fact that Chinese dragons were associated with extinct mammals, many of which are relatively familiar types - horses, hyenas, bears and so on. It's strange to juxtapose these animals with the fantastic dragons of Chinese mythology, but that's what our evidence shows.

Part of the surprising pervasiveness of the Chinese dinosaur-dragon link is that the real history of dragon bones is already associated with exciting, popular fossil species, including Homo erectus and Gigantopithecus blacki. In this light, it's hard not to see the perpetuation of the speculated, unsupported dinosaur-dragon history as overriding the genuinely interesting and significant contributions that Chinese 'dragon bones' have made to palaeontological research.

Of course, if we're being true sceptics on this, we also have to point out some important caveats. Firstly, our historic record of dragon bones is good, but it does not cover the entirety of China's geographic, historic and paleontological resources: we cannot rule out any and all use of dinosaur bone as dragon remains in historic times. It would actually be surprising, given the appetite for dragon bone and the abundance of dinosaur material in China, if no-one found and interpreted a dinosaur or another type of fossil reptile in this way. So who knows - evidence of this may turn up in future.

Secondly, although the historic use of dinosaur bones in traditional medicine is not well-evidenced, a surprise discovery in 2007 revealed that a central Chinese village has been using dinosaur bones in medicine for at least a few decades. It differs from older historic accounts in that these villagers have been collecting their fossils locally and not through drugstores, and makes me wonder if other small communities exploited dinosaur fossils in the same way. Maybe our records and analyses are biased towards the history of the national, commercialised end of dragon bone use? It's an interesting idea, but is also currently an unknown.

But these points don't change the details outlined above. I wonder if some dinosaur fans will be disappointed by the lack of evidence for a dinosaur-dragon link, but I think it's a fascinating story with a terrific twist: the fantastic and iconic Chinese dragon is most closely associated, palaeontologically speaking, with familiar mammalian megafauna - including our own lineage. But beyond providing a fun historic narrative, this outcome also serves as an example of how geomythological ideas can be misguided by our own biases and wishful thinking. I suspect we inject dinosaurs into this story because we see their obvious similarity with ancient dragon depictions, but this assumption falls foul of historian's fallacy: the projection of contemporary knowledge onto people of the past. Opinions vary on how knowledgeable ancient people were of dinosaur anatomy (Lyons 2009) but we have no evidence that the appearance of Mesozoic dinosaurs was known to anyone before complete dinosaur skeletons were discovered, excavated, prepared and reassembled in late 19th century Europe. My suspicion is that ancient knowledge of dinosaurs was no greater than what could be gleaned from partially-exposed, weathered fossils or loose bones and teeth: the alternative, that people living thousands of years ago in China had - for example - concepts of what whole stegosaurs looked like is very far-fetched. Moreover, our better-evidenced examples of geomythology, which includes Chinese dragons, shows that there need not be any real resemblance between fossil species and the legendary animals they become associated with: an ammonite can be a snake, a mammoth can be a unicorn, and a fossil horse can be a dragon. These might seem ridiculous to us, but only because centuries of scientific insight makes interpreting fossils and ordering the natural world look so easy. Our modern learned interpretations of fossils were not necessarily shared with peoples living thousands or hundreds of years ago.

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References

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